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What Determines the Perception of Segmentation in Contemporary Music?
Michelle Phillips, Andrew J. Stewart, J. Matthew Wilcoxson, Luke A. Jones, Emily Howard, Pip Willcox, Marcus du Sautoy & David De Roure
Frontiers in Psychology 11 (2020)
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References found in this work
The magical number seven, plus or minus two: Some limits on our capacity for processing information.George A. Miller - 1956 - Psychological Review 63 (2):81-97.
The magical number seven, plus or minus two: Some limits on our capacity for processing information.George A. Miller - 1956 - Psychological Review 101 (2):343-352.
A Generative Theory of Tonal Music.Fred Lerdahl & Ray Jackendoff - 1987 - Journal of Aesthetics and Art Criticism 46 (1):94-98.
Tracing the dynamic changes in perceived tonal organization in a spatial representation of musical keys.Carol L. Krumhansl & Edward J. Kessler - 1982 - Psychological Review 89 (4):334-368.
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