Wordsworth’s Profession: Form, Class, and the Logic of Early Romantic Cultural Production

Stanford University Press (1997)
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Abstract

In exploring Wordsworth's professionalization as a writer, the author's interpretations are coordinated by a single, albeit highly ramified, critical hypothesis: that Romanticism's aesthetic forms afforded the middle classes an imaginary furlough from the impinging consciousness of their tenuous socioeconomic status.

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0804729026   9780804729024
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