Abstract

Abstract:This article will analyze the feeling of restlessness that we discover in the representation of the border areas, seen as extreme and paradigmatic landscapes of contemporary society. The analysis is based on three narrative works of current Catalan literature: Dies de frontera (Frontier days; 2014) by Vicenç Pagèsa; La pell de la frontera (The skin of the frontier; 2014) by Francesc Serés, and L'horitzó primer (The first horizon; 2014) by Joan Todó. Traditional Catalan—and European—literature, has long since lent great weight to literary representation of landscape in the creation of identity and culture. Now, however, with the desolate, degraded and forgotten landscapes of the peripheries and borders, the narrative of place speaks to us of personal and collective crises. In recent decades, academics speak of a spatial turn in the humanities, and some even talk of a shift in civilization tied to the landscape. Catalan fiction is a good example of this shift. We shall analyze these three books to see how this place is perceived aesthetically and define the feeling of disquiet and restlessness which emerges, in the end, from these specific and deeply human observations.