The politics of hybridity and mestizaje in U.S. Latino popular music

Arbor 187 (751):931-936 (2011)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Categories

Keywords

Reprint years

DOI

10.3989/arbor.2011.751n5009

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 92,168

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

My notes

Similar books and articles

The time of hybridity.Simone Drichel - 2008 - Philosophy and Social Criticism 34 (6):587-615.
Feminist Aesthetics, Popular Music, and the Politics of the 'Mainstream'.Robin James - unknown
Jazzgeist.Raminder Kaur & Partha Banerjea - 2000 - Theory, Culture and Society 17 (3):159-180.
Complex Choreography.Sallie Westwood - 2001 - Theory, Culture and Society 18 (2-3):247-264.
The Politics of Educating Latino Children.Ruben P. Viramontez Anguiano, Jessica Theis & Marco A. Chávez - 2004 - Inquiry: Critical Thinking Across the Disciplines 24 (1-2):33-40.
Hybridity, So What?Jan Nederveen Pieterse - 2001 - Theory, Culture and Society 18 (2-3):219-245.
Pop/music + medien/kunst: der musikalisierte Alltag der digital culture.Werner Jauk - 2009 - Osnabrück: Electronic Publishing.
A Nation in Your Heart: Latino Political Identity and the Quest for Unity.Christina Isabel Beltran - 2003 - Dissertation, Rutgers the State University of New Jersey - New Brunswick
Moribund music: can classical music be saved?Carolyn Beckingham - 2009 - Portland: Sussex Academic Press.
Music.Nicholas Cook - 2010 - New York, NY: Sterling.
Performing Rites: On the Value of Popular Music.Simon Frith - 1998 - Harvard University Press.
Music and technology. Virtuality and metadesign : Sound art in the age of connectivity.Laura Ahonen - 2006 - In Erkki Pekkilä, David Neumeyer & Richard Littlefield (eds.), Music, Meaning and Media. University of Helsinki.
The quest for voice: on music, politics, and the limits of philosophy: the 1997 Ernest Bloch lectures.Lydia Goehr - 1998 - New York: Oxford University Press.
Was macht Musik populär?: Untersuchungen zu Theorie und Geschichte populärer Musik.Mechthild von Schoenebeck - 1987 - P.Lang.
Women and Popular Music: Sexuality, Identity, and Subjectivity.Sheila Whiteley - 2000 - Psychology Press.

Analytics

Added to PP
2016-06-30

Downloads
12 (#1,088,955)

6 months
6 (#528,006)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references