Phrase-Level Modeling of Expression in Violin Performances

, , &
Frontiers in Psychology 10 (2019)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Categories

Keywords

Reprint years

DOI

10.3389/fpsyg.2019.00776

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 92,682

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

My notes

Similar books and articles

Automatic Assessment of Tone Quality in Violin Music Performance.Sergio Giraldo, George Waddell, Ignasi Nou, Ariadna Ortega, Oscar Mayor, Alfonso Perez, Aaron Williamon & Rafael Ramirez - 2019 - Frontiers in Psychology 10.
Modeling Expressing on Demonstrating.Maura Tumulty - 2011 - Journal of Philosophical Research 36:43-76.
El violín, un invento sefardí.Gustavo Perednik - 2009 - El Catoblepas: Revista Crítica Del Presente.
Levels of description and explanation in cognitive science.William Bechtel - 1994 - Minds and Machines 4 (1):1-25.
Bowing Gestures Classification in Violin Performance: A Machine Learning Approach.David Dalmazzo & Rafael Ramírez - 2019 - Frontiers in Psychology 10.
Recordings as Performances.Christy Mag Uidhir - 2007 - British Journal of Aesthetics 47 (3):298-314.
Mixed-Effects Modeling and Nonreductive Explanation.Wei Fang - unknown - Philosophy of Science 86 (5):882-894.
Evaluation of a Sound Quality Visual Feedback System for Bow Learning Technique in Violin Beginners: An EEG Study.Angel David Blanco & Rafael Ramirez - 2019 - Frontiers in Psychology 10:411199.
Gender ambivalence and the expression of passions in the performances of early Roman cantatas by castrati and female singers.Christine Jeanneret - 2013 - In Tom Cochrane, Bernardino Fantini & Klaus R. Scherer (eds.), The Emotional Power of Music: Multidisciplinary Perspectives on Musical Arousal, Expression, and Social Control. Oxford University Press. pp. 85.
Téléphone arabe.Clément de Gaulejac & M. A. Reinhardt - 2015 - Substance 44 (2):151-157.
Quotation apposition.Roger Wertheimer - 1999 - Philosophical Quarterly 49 (197):514-519.
Classicism, Connectionism and the Concept of Level.Yu-Houng H. Houng - 1990 - Dissertation, Indiana University
Somnia Ficta In Lucretius And Lucilius.James J. O.′Hara - 1987 - Classical Quarterly 37 (02):517-.
Somnia Ficta In Lucretius And Lucilius.James J. O.′Hara - 1987 - Classical Quarterly 37 (2):517-519.
Works and performances in the performing arts.David Davies - 2009 - Philosophy Compass 4 (5):744-755.

Analytics

Added to PP
2019-04-12

Downloads
95 (#184,294)

6 months
82 (#60,716)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

Add more citations

References found in this work

Emotion and meaning in music.Leonard B. Meyer - 1956 - [Chicago]: University of Chicago Press.
Emotion and Meaning in Music.Julius Portnoy - 1957 - Journal of Aesthetics and Art Criticism 16 (2):285-286.
Sweet Anticipation: Music and the Psychology of Expectation.William Benjamin - 2007 - Journal of Aesthetics and Art Criticism 65 (3):333-335.

Add more references