Abstract

Hearing and auditory perception are rapidly developing topics in the philosophy of perception. Recent work has focused on characterizing what we hear and on similarities and differences between audition and other modalities. Future work should address how theorizing about audition impacts theorizing about perception more generally. This entry concerns questions about the objects and contents of hearing. It includes discussion of the spatial content of audition, of the role of time and pitch in the individuation of auditory objects, and of audition's role in the perception of speech.