Abstract

This paper explores Socratic irony as reflected in the famous passages of Alcibiades’ speech in Plato’s Symposium, focusing on the relationship between ironic utterance and the philosophic guidance process. Reviewing the diverse meanings of the term eirôneia in Greek comedy and philosophy, it examines the way in which Plato employs irony in fashioning Socrates’ figure and depicting the ideal of philosophic guidance as the “art of midwifery.” It then analyzes Kierkegaard’s most positive perception of Socratic irony as a necessary methodical element in the Socratic maieutic process of “deceiving into the truth.” Contrasting Kierkegaard with Alcibiades’ scathing critique, it reads the latter in a combined dramatic-philosophical perspective, as presenting irony as an anti-philosophic phenomenon, leading to cognitive puzzlement and Dionysian irrationality. Alcibiades’ negative stance will be manifested via analyzing his use of four literary rhetorical devices: comparing Socrates with the Silenoi, drawing an analogy between ironic speech and Marysas’ satyric flute playing, symbolizing philosophy as snake venom, and presenting the scene of Socrates’ seduction as dramatic irony. The discussion shows, then, that there are two distinct manifestations of Socratic irony drawn from Plato’s writings, destructive and constructive, derived from the character of his philosophical pupils.