The Assumptions behind Musical Stage Theory: A Reply to Letts

Journal of Aesthetics and Art Criticism 78 (3):362-366 (2020)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Categories

Keywords

Reprint years

DOI

10.1111/jaac.12742

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 91,963

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

My notes

Similar books and articles

Is Moruzzi's Musical Stage Theory Advantaged?Philip Letts - 2020 - Journal of Aesthetics and Art Criticism 78 (3):357-362.
Every Performance Is a Stage: Musical Stage Theory as a Novel Account for the Ontology of Musical Works.Caterina Moruzzi - 2018 - Journal of Aesthetics and Art Criticism 76 (3):341-351.
Property Theory of Musical Works.Philip Letts - 2018 - Journal of Aesthetics and Art Criticism 76 (1):57-69.
An Ontological Justification for Contextual Authenticity.Caterina Moruzzi - 2019 - British Journal of Aesthetics 59 (4):413-427.
Musical Works: Category and Identity.Philip Edward Letts - unknown
Against Kania’s Fictionalism about Musical Works.Philip Letts - 2015 - British Journal of Aesthetics 55 (2):209-224.
Four Conceptions of Musical Content.Paul Thom - 2011 - Philosophia 39 (1).
Musical Ontology and the Question of Persistence.Peter Alward - 2020 - Acta Analytica 35 (2):213-227.
Types, Tokens, and Talk about Musical Works.Julian Dodd & Philip Letts - 2017 - Journal of Aesthetics and Art Criticism 75 (3):249-263.
Musical Understanding: Theory of Musical Description or Theory of Musical Perception?Russell Thomas Alfonso - 1996 - Dissertation, University of Hawai'i
On music perception and cognition: Modularity, structure, and processing. [REVIEW]Lelio Camilleri - 1992 - Minds and Machines 2 (4):365-377.
In Defence of Higher-Order Musical Ontology: A Reply to Lee B. Brown.A. Kania - 2012 - British Journal of Aesthetics 52 (1):97-102.
Defending musical perdurantism.Ben Caplan & Carl Matheson - 2006 - British Journal of Aesthetics 46 (1):59-69.
The theoretical diagnosis of skepticism.Peter J. Graham - 2007 - Synthese 158 (1):19-39.
To imitate all that is hidden. The place of mimesis in Adorno’s theory of musical performance.Alessandro Cecchi - 2017 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 10 (1):131-138.

Analytics

Added to PP
2020-08-14

Downloads
26 (#611,461)

6 months
10 (#269,192)

Historical graph of downloads
How can I increase my downloads?

Author's Profile

Caterina Moruzzi
Universität Konstanz

Citations of this work

Musical Exdurantism.Philip Letts - 2022 - Journal of Aesthetics and Art Criticism 80 (4):477-493.

Add more citations

References found in this work

The problems of philosophy.Bertrand Russell - 1912 - New York: Barnes & Noble.
Survival and identity.David Lewis - 1976 - In Amelie Oksenberg Rorty (ed.), The Identities of Persons. University of California Press. pp. 17-40.
How things persist.Katherine Hawley - 2001 - New York: Oxford University Press.
The Problems of Philosophy.Bertrand Russell - 1912 - Revue de Métaphysique et de Morale 21 (1):22-28.
The individuation of events.Donald Davidson - 1969 - In Nicholas Rescher (ed.), Essays in Honor of Carl G. Hempel. Reidel. pp. 216-34.

View all 23 references / Add more references