Abstract

It is difficult to write clearly about any aspect of Plotinus’ thought. There are many reasons for this. One reason is that he is a very systematic thinker. So, for example, to treat his aesthetics one must also discuss his metaphysics, psychology, and his ethics. Anther reason is his well-known subtlety and obscurity of expression. Kuisma’s book on Plotinus’ aesthetics, however, shows that it is possible to write clearly, accurately, and succinctly about Plotinus. This book is a pleasure to read. Kuisma argues against a modern, widely held interpretation of Plotinus’s aesthetics which claims that “Plotinus, in contrast to Plato, accepted the possibility of the artistic imitation of intelligible Forms,” thus giving “a new direction to Platonic art theory”. His thesis is, instead, that “the objects of artistic imitation are limited to the sphere of perceptions,” although this limitation can be overcome to some extent by “the use of symbols and symbolic conventions”, inasmuch as symbolic representations do not convey on the basis of sameness of form. He calls the common view “strong mimesis,” and his own view, “weak mimesis”. Clearly, Kuisma’s view shows Plotinus to be a traditional Platonist. Indeed, it would be odd if Plotinus, of all people, should discount Plato’s doubts about the ability of sensibles to represent eternal form.