Abstract

How would we conceive a phenomenology that has been purified by a post-modern critique? Although the term “post-modernism” names an extremely varied phenomenon, two features seem especially relevant. The first is its distrust of meta-narratives or overarching accounts of the way things are. The second, which is closely related to this, is the deconstruction of the subject. By this is meant not just the deconstruction of the “author”—i.e., the undermining the notion of his/her subjective intentions as setting the parameters of textual interpretation. At issue is the grand meta-narrative of modernity itself. This is the narrative of subjectivity. Beginning with Descartes, and continuing through Kant and Husserl, subjectivity has been central theme of modern philosophy. For Descartes, it provided the Archimedean point, the central focus of certainty. For Kant, subjectivity is the terminus of his Copernican turn. Rather than assuming that all our knowledge must conform to objects, let us, Kant suggests, turn and try the reverse. Let us see if the rules of our understanding make possible the experience of objects.1 Husserl, in radicalizing this position, takes these rules as rules of synthesis. He sees the world we experience as the “product” of the synthetic (or constitutive) activities of transcendental subjectivity. After pointing out the difficulties with this narrative, difficulties involving the inability of subjectivity sustain the normative role that modernity assigns it, my question will be: what remains of the phenomenological project? How can we think of phenomenology apart from the narrative Husserl inherits from his predecessors? In othe words: What is phenomenology’s self-understanding, once it admits the validity of the post-modern critique of the subject? Such an understanding, I shall argue, can be found in Patocka’s insight that that..