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Murasaki Shikibu's the Tale of Genji: Philosophical Perspectives
James McMullen (ed.)
Oup Usa (2019)
Abstract
The essays in this collection engage with Murasaki Shikibu's The Tale Genji as a work of philosophical significance, analyzing the text from a wide range of perspectives. The essays touch on almost all branches of philosophy and engage with topics such as the exercise of power, the concept of space, construction of personhood, cultural and artistic practices, and gender.
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Murasaki Shikibu: The Tale of Genji.Roy Andrew Miller & Richard Bowring - 1990 - Journal of the American Oriental Society 110 (1):103.
L’analyse contrastive : contours et limites d’une approche mythocritique confrontant le Genji Monogatari de Murasaki Shikibu et les Lais de Marie de France.Stéphanie Bruno-Meylan - 2010 - Iris 31:181-186.
Domesticating the Tale of GenjiThe Splendor of Longing in the Tale of Genji (Hereafter, Splendor)The Bridge of Dreams: A Poetics of the Tale of Genji.Richard H. Okada, Norma Field & Haruo Shirane - 1990 - Journal of the American Oriental Society 110 (1):60.
Genji’s Gardens: From Symbolism to Personal Expression and Emotion: Gardens and Garden Design in The Tale of Genji.Mara Miller - 2012 - In Giusi Paolo (ed.), States of Mind in Asia. Santangelo, Paolo & Giusi Tamburello. pp. 105-141.
Idealism, protest, and the Tale of Genji: the Confucianism of Kumazawa Banzan (1619-91).James McMullen - 1999 - New York: Oxford University Press.
Murasaki Shikibu vs. Sei Shonagon: A classical case of envy in medi- evil Japan.Tzvetana Kristeva - 1997 - Semiotica 117 (2-4):201-226.
Motoori Norinaga shŭ.Norinaga Motoori & Tatsuo Hino - 1969 - Edited by Kōjirō Yoshikawa & Tadashi Ōkubo.
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