Abstract

How should we understand Wittgenstein's comment in 1929 that his ‘ideal’ was ‘a certain coolness’? Does it have the implication for the practice of philosophy that is suggested by the late Dewi Phillips? Wittgenstein's use of the metaphor of a temple in relation to the passions is curiously reminiscent in its structure of Rilke's first sonnet to Orpheus. In Zettel a similar preoccupation seems to be manifested in the long and unexpected passage that Wittgenstein copies out from Plato, a passage which is juxtaposed to the famous remark that the philosopher is the citizen of no community of ideas.