Abstract

This chapter examines Soren Kierkegaard's views and reception of romanticism. It suggests that Kierkegaard was ambivalent toward romanticism and explains that while he criticized the concept of irony, he also modeled some of his works on the writings of romanticists Friedrich Schleiermacher and Joseph Freiherr von Eichendorff. In addition, he was also engaged with romantic aesthetics, and analysed and transformed its key concepts. The chapter also explains that Kierkegaard's references to romanticism can be found in his early works, including The Concept of Irony and Either/Or.