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Inwardness and Theater in the English Renaissance
University of Chicago Press (1995)
Abstract
This text explores the perceived discrepancy between outward appearance and inward disposition which, it argues, influenced the work of many English Renaissance dramatists and poets. The author examines various connections between religious, legal, sexual and theatrical ideas of inward truth.
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Citations of this work
On (Not) Making Oneself Known.John Gibson - 2018 - In Tzachi Zamir (ed.), Shakespeare's Hamlet: Philosophical Perspectives. Oxford, UK: pp. 17-45.
The Public Sphere, Mass Media, Fashion and the Identity of the Individual.Christian Huck - 2016 - In Isabel Karremann & Anja Müller (eds.), Mediating Identities in Eighteenth-Century England Public Negotiations, Literary Discourses, Topography. pp. 121-133.
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