Toward a new transcendental aesthetic: Merleau-Ponty’s appraisal of Kant’s philosophical method

British Journal for the History of Philosophy 27 (2):378-401 (2019)
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Abstract

In light of the central role scientific research plays in Merleau-Ponty’s phenomenology, the question has arisen whether his phenomenology involves some sort of commitment to naturalism or whether it is better understood along transcendental lines. In order to make headway on this issue, I focus specifically on Merleau-Ponty’s method and its relationship to Kant’s transcendental method. On the one hand, I argue that Merleau-Ponty rejects Kant’s method, the ‘method-without-which’, which seeks the a priori conditions of the possibility of experience. On the other hand, I show that this does not amount to a methodological rejection of the transcendental altogether. To the contrary, I claim that Merleau-Ponty offers a new account of the transcendental and a priori that he takes to be the proper subject matter of his phenomenological method, the method of ‘radical reflection’. And I submit that this method has important affinities with aesthetic themes in Kant’s philosophy.

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Samantha Matherne
Harvard University

Citations of this work

The A Priori: Merleau-Ponty’s ‘New Definition’.Sidra Shahid - 2022 - International Journal of Philosophical Studies 30 (4):399-419.
The A Priori: Merleau-Ponty’s ‘New Definition’.Sidra Shahid - 2022 - International Journal of Philosophical Studies 30 (4):399-419.
Kant-Bibliographie 2019.Margit Ruffing - 2021 - Kant Studien 112 (4):623-660.

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References found in this work

The Visible and the Invisible.B. Falk - 1970 - Philosophical Quarterly 20 (80):278-279.
Cézanne's Doubt.Maurice Merleau-Ponty - 1964 - In Sense and Non-Sense. [Evanston, Ill.]: Northwestern University Press. pp. 1-25.
Kantian Themes in Merleau-Ponty’s Theory of Perception.Samantha Matherne - 2016 - Archiv für Geschichte der Philosophie 98 (2):193-230.

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