Abstract

The two leading French film writers and critics of the post-war period were André Bazin and Georges Sadoul. Their relationship has often been reduced to the controversy that followed the publication of Bazin's article on ‘Soviet Cinema and the Myth of Stalin’ in 1950. While the ensuing polemic undeniably drove them apart, the prevailing critical emphasis on this episode fails to do justice to either their critical work or its wider context. Indeed, the heartfelt tribute Sadoul paid to Bazin after the latter's death testifies to a much richer and more complex relationship between the two critics. Drawing on both published and archival sources, this article sets out to throw a new and more comprehensive light on this historically critical relationship and its context by examining the reactions of both critics to the ‘Stalin Myth’ controversy, post-war American cinema, and the form and content debate of the later 1940s.