Vocal imitation of song and speech

&
Cognition 127 (2):177-202 (2013)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Categories

Keywords

Reprint years

DOI

10.1016/j.cognition.2012.12.008

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 92,953

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

My notes

Similar books and articles

Behavior-linked foxP2 regulation enables zebra finch vocal learning.J. B. Heston & S. A. White - unknown
Song Is More Memorable Than Speech Prosody: Discrete Pitches Aid Auditory Working Memory.Felix Haiduk, Cliodhna Quigley & W. Tecumseh Fitch - 2020 - Frontiers in Psychology 11.
Hierarchical learning of song in birds: A case of vocal imitation?Dietmar Todt - 1998 - Behavioral and Brain Sciences 21 (5):702-703.
Vocal Features of Song and Speech: Insights from Schoenberg's Pierrot Lunaire.Julia Merrill & Pauline Larrouy-Maestri - 2017 - Frontiers in Psychology 8.
Consideration of infants' vocal imitation through modeling speech as timbre-based melody.Nobuaki Minematsu & Tazuko Nishimura - 2008 - In Satoh (ed.), New Frontiers in Artificial Intelligence. Springer. pp. 26--39.
Birdsong learning in the laboratory, with especial reference to the song of the Zebra Finch (Taeniopygia guttata).Sebastien Deregnaucourt - 2011 - Interaction Studies 12 (2):324-350.
Birdsong learning in the laboratory, with especial reference to the song of the Zebra Finch.Sébastien Derégnaucourt - 2011 - Interaction Studies. Social Behaviour and Communication in Biological and Artificial Systemsinteraction Studies / Social Behaviour and Communication in Biological and Artificial Systemsinteraction Studies 12 (2):324-350.
Speech perception and vocal expression of emotion.Lee H. Wurm, Douglas A. Vakoch, Maureen R. Strasser, Robert Calin-Jageman & Shannon E. Ross - 2001 - Cognition and Emotion 15 (6):831-852.
Hearing with the eyes: A distributed cognition perspective on guitar song imitation.Nick V. Flor & Barbara Holder - 1996 - In Garrison W. Cottrell (ed.), Proceedings of the Eighteenth Annual Conference of the Cognitive Science Society. Lawrence Erlbaum. pp. 18--148.
The contribution of speech rate and pitch variation to the perception of vocal emotions in a German and an American sample.Caterina Breitenstein, Diana Van Lancker & Irene Daum - 2001 - Cognition and Emotion 15 (1):57-79.

Analytics

Added to PP
2013-12-14

Downloads
35 (#470,483)

6 months
3 (#1,045,430)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

Add more citations

References found in this work

View all 26 references / Add more references