What Is a Portrait?

British Journal of Aesthetics 55 (3):303-322 (2015)
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Abstract

What I will aim for in answering the title question is extensional adequacy, that is, I will try to formulate an account that captures as much of the extension as possible of what we ordinarily think counts as a portrait. Two philosophers have recently and independently from one another embarked on the same project. Cynthia Freeland’s theory of portraiture, as it is developed in her book, Portraits and Persons, is discussed in Sections 1 and 2 of this paper. Sections 3 and 4 offer a critical exploration of Paolo Spinicci’s phenomenological study of portraiture. Finally, in Sections 5 and 6, I present an alternative account of portraiture, one that will hopefully address all the objections raised against the two competing theories

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Hans Maes
University of Kent

Citations of this work

Editorial - Computing by everyone for everyone.Simon Rogerson - 2019 - Journal of Information, Communication and Ethics in Society 17 (4):373-374.
The Self and the Ontic Trust: Toward Technologies of Care and Meaning.Tim Gorichanaz - forthcoming - Journal of Information, Communication and Ethics in Society 17 (3).
The Truthful Portrait: Can Posing Be a Tool for Authenticity in Portraiture?Aurélie J. Debaene - 2021 - The Journal of Aesthetics and Art Criticism 79 (4):440-451.
Real Portraits in Literature.Stacie Friend - 2020 - In Hans Maes (ed.), Portraits and Philosophy. New York, NY: Routledge. pp. 213-228.

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References found in this work

Realism and human kinds.Amie L. Thomasson - 2003 - Philosophy and Phenomenological Research 67 (3):580–609.
Realism and Human Kinds.Amie L. Thomasson - 2003 - Philosophy and Phenomenological Research 67 (3):580-609.

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