Abstract

During the last fifteen years of his life, Jean-Louis Chrétien († 2019) pursued, across several books, an exploration of “personal identity” as figured in the works of numerous authors, primarily but not exclusively belonging to the Christian tradition. Through these books’ diverse approaches to human interiority, there runs a single guiding thread: a constant reference to the biblical notion of the heart and its relationship to human embodied speech. The book that begins this project is the 2005 study of the Christian interpretation of the Song of Songs, entitled _Symbolique du corps. La tradition chrétienne du Cantique des Cantiques_. My contribution here isolates and explicates a particularly fundamental aspect of the project: its poetics. While the subsequent books in Chrétien’s project explore the heights, the dissolution, and even the reversal of certain additional schemata of human interiority, the philosopher’s conviction nevertheless remains that the symbolic language of the body is available to speech and thought as a viable means for the construction of images of the inner life of the human being, and that this construction is not merely metaphorical but heuristic, changing the languages and concepts it engages. The commentators on the Song of Songs have irreversibly translated the biblical understanding of the human being, particularly as presented by the heart and the Pauline body of Christ, into the symbolic human body. And yet, if it is to be spoken accurately and fluently, this language of the symbolic body must be freely taken up anew, by each speaker. Chrétien’s genealogical investigation invitingly makes this case over and over again.