Abstract

There had been interesting interactions between philosophical reflections, technical developments and the work of artists, poets and designers, starting especially in the 1950s and 1960s with a stimulating cell in Stuttgart and Ulm in Germany spreading mutual international interactions. The paper aims to describe the philosophical background of Max Bense with his research on the intellectual history of mathematics and the upcoming studies on technology and cybernetics. Together with communication theories and semiotics, new aesthetics such as cybernetic aesthetics had been worked out, based on the notions of information and sign. This background stimulated international students, artists and researchers from different creative disciplines for methodical approaches leading to first computer art experiments. The interrelations in these fields with Latin America are in the focus of these studies. Students, artists, and poets from Latin America, especially Brazil, came to Germany for studies and exhibitions in the creative scientific cell around Max Bense. Some of them stayed in Europe, but the exchange developed also in the opposite direction, traveling to and working in Latin America. Some of those fruitful international interrelations will be described and reflected.