Cinema of simulation: hyperreal Hollywood in the long 1990s

New York: Bloomsbury Academic, an imprint of Bloomsbury Publishing (2015)
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Abstract

Drawing on the critical theories of Jean Baudrillard, Cinema of Simulation performs close readings of key films to examine cinematic visions of mutational reality.

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PN1995.9.R3.L35 2015

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9781628920796   1628920793
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Chapters

Introduction: The Hyperreal Theme in 1990s American Cinema Chapter 1. Back to the Future as Baudrillardian Parable Chapter 2. The Alien films and Baudrillard's Phases of Simulation Chapter 3. The Hyperrealization of Arnold Schwarzenegger Chapter 4. Oliver Stone's Hyperreal Period Chapter 5. Bill Clinton Goes to the Movies Chapter 6. Tarantino's Pulp Fiction and Baudrillard's Perfect Crime Chapter 7. Recursive Self-Reflection in The Player Chapter 8. Baudrillard, The Matrix, and the "Real 1999" Chapter 9. Reality. [REVIEW]Television: The Truman Show Chapter 10Recombinant Reality in Jurassic Park Chapter 11. The Brad Versus Tyler in Fight Club Chapter 12. Shakespeare in the Longs Chapter 13. Ambiguous Origins in Star Wars Episode I.: The Phantom Menace Chapter 14. Looking for the Real: Schindler'S. List, Saving Private Ryan & Titanic Chapter 15. That'S. Cryotainment! Postmortem Cinema in the Long S.

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