La conciencia del espectador en la teoría musical de Schopenhauer

Anuario Filosófico 29 (54):89-106 (1996)
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Abstract

The spectator's consciousness in the musical theory of Schopenhauer.- Schopehauer's reflections on music begin from the consciousness of the spectator. This kind of consciousness implies a doubling-back which enables the human soul to perceive itself as something phenomenal. The relationship between the soul and the music comes about within these limits

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10.15581/009.29.29788

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