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Why does jazz matter to aesthetic theory?

Journal of Aesthetics and Art Criticism 63 (1):3–15 (2005) Copy BIBT_EX

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Ohio State University

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Jazz in Aesthetics

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10.1111/j.0021-8529.2005.00176.x

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“Notes on Improvisation and Freedom. Transgressing Self in Musical Performance”.Małgorzata A. Szyszkowska - 2018 - Interdisciplinary Studies in Musicology 1 (18/2018):97-106.

The Jazz Solo as Virtuous Act.Stefan Caris Love - 2016 - Journal of Aesthetics and Art Criticism 74 (1):61-74.

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References found in this work

Categories of Art.Kendall L. Walton - 1970 - Philosophical Review 79 (3):334-367.

The Artworld.Arthur Danto - 1964 - Journal of Philosophy 61 (19):571-584.

Improvisation and the creative process: Dewey, Collingwood, and the aesthetics of spontaneity.R. Keith Sawyer - 2000 - Journal of Aesthetics and Art Criticism 58 (2):149-161.

“Feeling My Way”: Jazz Improvisation and Its Vicissitudes—A Plea for Imperfection.Lee B. Brown - 2000 - Journal of Aesthetics and Art Criticism 58 (2):113-123.

Introduction: Danto and his critics: After the end of art and art history.David Carrier - 1998 - History and Theory 37 (4):1–16.

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