Abstract

Some major figures of early (1977-1984) Post-Punk, such as Joy Divison’s Ian Curtis or The Fall’s Mark E. Smith, were strongly influenced by existentialist themes they encountered in the writings of philosophers such as Camus or Nietzsche. Central among these themes is the modern struggle with nihilism. Nietzsche (at times) felt hopeful that some of us still possess the strength to see our modern disorientation as a creative opportunity and to (eventually) overcome the threat of nihilism: in this vein he declares that when "we hear the news that ‘the old god is dead’” it is “as if a new dawn shone on us." By contrast, I argue that foundational Post-Punk artists express a post-Nietzschean, 20th century stance of succumbing to nihilism, an overwhelming experience of defeat and self-disgust. They write and sing from a profound sense that the modern degeneration diagnosed by Nietzsche has now reached unprecedented lows so that our “disgust at life”, our “exhaustion and… wish for the ‘end’…for being otherwise, being elsewhere” has become wholly inescapable. Nietzsche's new dawn has faded.