Side by Side: Reflections on Two Lifetimes of Dance

Frontiers in Psychology 12 (2021)
  Copy   BIBTEX

Abstract

Telling stories about our experiences in dance brings to light unconscious knowledge and memories of the past and helps us understand our own decisions and practices. Reflexivity and story telling is central in the process of remembering and embodies some of the key aspects of autoethnography as a research tool. We are directed to examine and reflect on our experiences, analyzing goals and intentions, making connections between happenings and recounting each single experience. Dance has the potential for positive impact on both physical and mental health among professional dancers as well as among dance students and has the power to connect them to culture and community in unique and important ways. Research has provided evidence that arts engagement provides positive forms of social inclusion, opportunities to share arts, culture, language, and values and points to the value of the arts in the prevention and amelioration of health problems. Together with those benefits of a dance experience there is clear evidence of what can be learned in, through and about dance. In this time of the Covid-19 pandemic it seemed more relevant and poignant to examine our own experiences in dance as well as those experiences of others that have influenced our lives.

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 92,907

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

Somaesthetics and Dance.Curtis L. Carter - 2015 - Contemporary Pragmatism 12 (1):100-115.
Philosophy of Dance and Disability.Joshua M. Hall - 2018 - Philosophy Compass 13 (12):e12551.
The dance: Essence of embodiment.Betty Block & Judith Lee Kissell - 2001 - Theoretical Medicine and Bioethics 22 (1):5-15.
Doesn't a dance require dancers?N. S. Thompson & Jaan Valsiner - 2002 - Behavioral and Brain Sciences 25 (5):641-642.
Next Week, Swan Lake: Reflections on Dance and Dances.Selma Jeanne Cohen - 1983 - Journal of Aesthetics and Art Criticism 42 (1):98-99.
Dance Appreciation: The View from the Audience.Aili Bresnahan - 2017 - In David Goldblatt, Lee Brown & Stephanie Patridge (eds.), Aesthetics: A Reader in the Philosophy of the Arts, 4th edition. Routledge. pp. 347-350.
Sex, Art, and Audience: Dance Essays.Bruce Fleming - 2000 - Peter Lang Incorporated, International Academic Publishers.
Dance.Erik Fischer & Alexander Kleinschrodt - 2019 - In Ludger Kühnhardt & Tilman Mayer (eds.), The Bonn Handbook of Globality: Volume 2. Springer Verlag. pp. 831-846.
Dance Rhythm.Aili Bresnahan - 2019 - In Peter Cheyne, Andy Hamilton & Max Paddison (eds.), The Philosophy of Rhythm: Aesthetics, Music, Poetics. New York: Oxford University Press, USA. pp. 91-98.

Analytics

Added to PP
2021-03-13

Downloads
11 (#1,162,085)

6 months
6 (#582,229)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

No citations found.

Add more citations

References found in this work

Pedagogy of the oppressed.Paulo Freire - 1986 - In David J. Flinders & Stephen J. Thornton (eds.), The Curriculum Studies Reader. Routledge.
Pedagogy of the Oppressed.Paulo Freire - 1970 - New York: Bloomsbury Academic. Edited by Myra Bergman Ramos, Donaldo P. Macedo & Ira Shor.

Add more references