My face is paling against my will

Pragmatics and Cognition 10 (1-2):129-157 (2002)
  Copy   BIBTEX

Abstract

Various syntactical forms may be used for presenting an emotional event. The choice of a grammatical form may be related to cultural, social and personal attitudes towards the nature of emotions. One of the cases in which the consistency of choices is evident is the description of bodily changes during an emotional event. In one possible syntactic style, the human experiencer is in the center of attention when a somatic change takes place, or the experiencer actively produces the vocal or facial communicative act. In a different syntactic style, the focus is on a body part or a physical sensation, which arises spontaneously and independently of the person’s will. Examples of translations from English into Hebrew and from Hebrew into English exemplify the syntactical alternatives. An empirical study is presented that links syntactic scripts to different emotion scenes.

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 91,829

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

Non-lexical conversational sounds in American English.Nigel Ward - 2006 - Pragmatics and Cognition 14 (1):129-182.
What does our face mean to us?Ning Yu - 2001 - Pragmatics and Cognition 9 (1):1-36.
What does our face mean to us?Ning Yu - 2001 - Pragmatics and Cognition 9 (1):1-36.
The Role of Language in a Science of Emotion.Asifa Majid - 2012 - Emotion Review 4 (4):380-381.
“Emotion”: The History of a Keyword in Crisis.Thomas Dixon - 2012 - Emotion Review 4 (4):1754073912445814.

Analytics

Added to PP
2016-02-04

Downloads
16 (#904,500)

6 months
5 (#632,816)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

Introduction.Maïa Ponsonnet, Dorothea Hoffmann & Isabel O’Keeffe - 2020 - Pragmatics and Cognition 27 (1):1-19.

Add more citations

References found in this work

No references found.

Add more references