Abstract

Catholicism's precarious position in twentieth-century Scotland was in part a reflection of continued anti-Catholic and anti-Irish sentiments, but it was also the result of new political doctrines, growing worker movements and the introduction of complete female suffrage. These challenges were met, in part, by Margaret Sinclair, in religion Sister Mary Francis of the Five Wounds. The cause for her beatification and canonization was unofficially launched in 1926 and met with a groundswell of support, extending beyond Scotland to Europe and North America as the working-classes embraced her as one of their own. Not only was she declared `Angel of the Factory', thereby extending the Church's influence to the factory floor, but her image was grafted to that of the nation as `Scotland's Little Flower'. She was to symbolize feminine piety, the working-class struggle and the epitome of Scottish Catholicism.