Abstract

Suppose a computer prints out the following little "poem": The shooting of the hunters she heardBut to pity it moved her not. What can we say about the meaning of this "poem"? We can say that it is ambiguous. It could mean: She heard the hunters shooting at animals, people, etc., but she had no pity for the victims. . . . She heard the hunters being shot but did not pity them. . . . She heard the hunters shooting at someone or something and she heard the hunters being shot but did not pity either. An author could use the above word sequence to convey either , , or . But since we cannot treat the text produced by the computer as anyone's use of the words in question, it would not make sense to decide among its linguistically possible readings, just as it would not make sense to choose among the linguistically possible readings of an ambiguous sentence if it is considered in abstraction from its use by a speaker on a particular occasion. For example, it would not make sense to say of the sentence "He saw the man carrying the suitcase" that it just means "He saw the man who is carrying the suitcase" if we know that and in which what ways the sentence is ambiguous. If someone did say this, we would be inclined to think either that he does not know that the sentence is ambiguous or that he is talking not about the sentence but about an utterance of that sentence by a speaker on some occasion. Hence all we can do in interpreting the computer "poem" is to specify the set of its linguistically possible readings, namely, {, , }. But it would not make sense to select , for example, and say, "That is what the computer poem means, not , nor ." P. D. Juhl is an assistant professor of German at Princeton University. The present essay, in a different form, will appear in his forthcoming book, The Nature of Literary Interpretation. See also: "Against Theory" by Steven Knapp and Walter Benn Michaels in Vol. 8, No. 4