Abstract

This article furnishes a systematisation of the Mediaval aesthetic vocabulary. This task is developed by means of the adoption of a dynamic of intersection among the various Aristotelic species qualitatis, which are taken as the basic structural elements of the requested system. Two versions of beauty are established, which will expand into two kinds of aesthetics, one leaded by pulchritudo, with intellectualistic implications and the other leaded by formositas, which will turn into an autonomus aesthetics; both of them have let a strong legacy to contemporaneus aesthetics.