Abstract

The Idea of Phenomenology is the result of the first course in which Husserl presented disciplinary developments after the transcendental turn occurred around 1905. It is therefore not only an important document of this turning, but also a high-impact work on the subsequent phenomenological tradition. In this paper we study three aspects of the category of enigma : the way in which it characterizes transcendence, the figure of objectors and the issue of donation and its modes. This analysis will highlight unexplored aspects of transcendental phenomenology at its early stages.