Abstract

Two short articles recount the concept and program of Makrolab. The idea of a mobile stage that could be used not only for representation but for work with reality came in a flash to the Slovene artist Marko Peljhan one sunny day in 1994 on the island of « Krk, » off the coast of Croatia which was then embroiled in war. The goal was to pursue an artistic experimentation in direct contact with the latest technical developments, beyond the failing frameworks of the nation-state. The Makrolab, a « Laboratory-Theater in Time, » is a nomadic architecture that can be disassembled and transported. It is inhabited by teams of artists and researchers who explore the natural environment, the migrations of animals and humans beings, and the events of the electromagnetic spectrum, conceived as the invisible side of the world political space