Abstract

This article develops a critical appraisal of John Carroll’s Terror – A Meditation on the Meaning of September 11. In locating the book in the context of a broader set of narratives concerning the origins and meaning of “9-11,” the article highlights many of the erroneous assumptions that permeate works like Carroll’s that, in essence, attempt to explain fundamentalist Islamic terrorism by reference to the moral decadence and spiritual vacuity of “the West.” It is argued that Carroll’s thesis slips too readily into a reductivist and essentializing view of the consequences of secular humanism in the West and further, that it relies on highly questionable assumptions about the social architecture of “Western culture.” Carroll’s brand of “cultural conservatism” fails to do justice to the complex geopolitical, cultural and ideological reasons for the attacks on America in 2001, and a far more rigorous analysis involving an appreciation of the effects and consequences of global socio-economic, military and other inequalities would set the foundations of a more coherent understanding of terrorism in the current era. Though Carroll’s thesis constitutes a significant intervention in the field of terrorism studies, it marks an important starting point for considered debate rather than adequate explanation of fundamentalist Islamic terrorism