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The Language of Comics1
In Aaron Meskin & Roy T. Cook (eds.), The Art of Comics. Wiley‐Blackwell. pp. 125–144 (2012-01-27)
Abstract
This chapter contains sections titled: Introduction A Pre‐Emptive Strike How Comics Mean The Unified Comic Conclusion Notes References.Author's Profile
the language of comics, serving partly‐conventional, meaning‐bearing comics as constituting a language, as project of the “language of film” analytic philosophers of language, concerned with the natural language comics as a language, being an anathema Currie, undermining the semiotic notion of a language of film Currie's target on cinesemiotics, natural languages, productive/conventional cinematic image, as entirely nonconventional comics and drawings, developing a complex symbol system semantic meaning and utterance meaning, a line difficult to draw semantic distinction and sense/reference, text in comics as images
My notes
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