Value Pluralism in Restoration Aesthetics

British Journal of Aesthetics:ayac038 (forthcoming)
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Abstract

In the restoration of art and artifacts there are three salient types of value to consider: relic, aesthetic, and practical. Relic value includes an object’s age, aura, originality, authenticity, and epistemic value. Aesthetic value is connected to how an object looks, sounds, or tastes. Practical value involves whether a thing can be used as designed—whether a book can be read, a building occupied, a car driven. I argue that while these are all legitimate values, it is impossible for a restorer to maximize them all. I conclude that restoration inexorably involves aesthetic choices; there is no supreme value to be maximized and we should be pluralists about the right balance of values. Restoration is like baking a cake; there are many wrong ways to do it, but there are many right ways as well.

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Steven Hales
Bloomsburg University

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References found in this work

The experiential account of aesthetic value.Alan H. Goldman - 2006 - Journal of Aesthetics and Art Criticism 64 (3):333–342.
The Ethics of Historic Preservation.Erich Hatala Matthes - 2016 - Philosophy Compass 11 (12):786-794.
The Metaphysics of Art Restoration.Rafael De Clercq - 2013 - British Journal of Aesthetics 53 (3):261-275.
Why Old Things Matter.Simon James - 2013 - Journal of Moral Philosophy 10 (4):313-329.
Aesthetic/sensory Dependence.Nick Zangwill - 1998 - British Journal of Aesthetics 38 (1):66-81.

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