Abstract

Kant and the Power of the Imagination discusses some neglected literature from the early German Romantic period—one major text that Kneller discusses was not published until the manuscript, lost for decades, resurfaced at an auction in New York in the 1960s. Kneller argues that this unduly neglected literature makes a productive and illuminating contribution to Kant’s program in the three Critiques. More particularly, she argues that it contributes to our understanding of the true philosophical potential of the role of the imagination in Kant’s theory, especially as he works the theory out in the third Critique. She makes her case in a slim volume, so she is necessarily selective. Her argument that Kant is closer to the early German Romantics than is generally thought leans heavily, for example, on certain passages from the third Critique. On her interpretation, the first and second Critiques tend to give the imagination a second-class role as a mental power. But there are crucial passages in the third