Abstract

The subject of this paper is the interdependence between three works: Clarice Lispector's Água Viva, Hélène Cixous's ‘See the Neverbeforeseen’ and Roni Horn's Rings of Lispector. It begins by exploring by what means, according to Cixous's reading, Lispector subverts the order of language and narrative, the logic of representation and the concept of ‘The Author’ in Água Viva. We then look at how Horn's ‘plastic-surgical interpretation’ of Lispector's text further dislocates this order and how it permits us to experience the becoming unreadable of the readable and the becoming readable of the unreadable. The second half examines the analogical use made of the Borromean rings by Cixous in presenting the topological relation between herself, Lispector and Horn and its ‘capture [of] the secret of the intangibility of the intangible’.