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Responses to music: Emotional signaling, and learning
Behavioral and Brain Sciences 31 (5):580-581 (2008)
Abstract
In the target article, Juslin & Vll (J&V) contend that neural mechanisms not unique to music are critical to its capability to convey emotion. The work reviewed here provides a broader context for this proposal. Human abilities to signal emotion through sound could have been essential to human evolution, and may have contributed vital foundations for music. Future learning experiments are needed to further clarify engagement underlying musical and broader emotional signalingAuthor's Profile
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Citations of this work
Neuroscience findings are consistent with appraisal theories of emotion; but does the brain “respect” constructionism?Klaus R. Scherer - 2012 - Behavioral and Brain Sciences 35 (3):163-164.
The role of the amygdala in the appraising brain.David Sander, Kristen A. Lindquist, Tor D. Wager, Hedy Kober, Eliza Bliss-Moreau & Lisa Feldman Barrett - 2012 - Behavioral and Brain Sciences 35 (3):161-161.
Integration of cognition and emotion in physical and mental actions in musical and other behaviors.Martin Frederick Gardiner - 2015 - Behavioral and Brain Sciences 38.
The sleeping brain and the neural basis of emotions.Roumen Kirov, Serge Brand, Vasil Kolev & Juliana Yordanova - 2012 - Behavioral and Brain Sciences 35 (3):155-156.
References found in this work
Bodily Changes in Pain, Hunger, Fear, and Rage.Walter B. Cannon - 1917 - Journal of Philosophy, Psychology and Scientific Methods 14 (3):79-80.
Review of John Dewey, Art as Experience. [REVIEW]D. W. Prall - 1935 - Philosophical Review 44 (4):388-390.
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