Abstract

This article carries out a systematic exposition of the concept of the body in Jean-Luc Nancy, with all the risks of reduction that such an exposition entails. First it is necessary to return to Western philosophy’s founding text on living corporality, that is, Aristotle’s treatise on the soul. The oppositions that can be established between the Greek thinker’s psyche (soul) and Nancy’s dead Psyche are not so radical as may at first be thought: In both it is a question of thinking the soul as the difference, the retreat or departure in which the exposition of bodies consists. The article continues with an analysis of touch and the self and concludes with an elaboration of the idea of the body within the general program of the deconstruction of Christianity.