Abstract

The purpose of this study is to investigate the musical means of expressing sorrow in Chopin's melodic practice. In spite of all the studies of Chopin's music that have been done up to now, there is an area that has not been yet seriously investigated. Much of the previous research has dealt with Chopin's life, his connection with the Polish national spirit through his use of Polish national genres, and his emotional involvement with the Polish nation's fate. Yet, there. is no research that investigates the relation between Chopin's onto-historical world and the nature of the expressive qualities of his melodies. ;The hypothesis of an extra-musical aspect inherent to melodic units of Chopin's music has one global idea behind it. The core of this idea, derived from the philosophical perspective of Martin Heidegger's approach to art, is that works of art reveal the historical life-world in which they were created. Following this, idea, the tragic circumstances of Chopin's life seem to lead this researcher to view the musical expression of sorrow as an integral part of his compositional idiom. ;The major challenge of the study is to show that the presence of particular musical means of sorrow is essential to Chopin's melodic practice. The subsequent understanding by performers of these emotional roots of Chopin's compositional idiom will most probably lead to a more meaningful interpretation of his music