Abstract

The reconciliation between Juno and Jupiter at the end of the Aeneid forms the cap to the divine action of the poem. The scene is conventionally regarded as the resolution of the heavenly discord that has prevailed since the first book; in particular, it is normal to see here a definitive transformation of Juno, as she abandons, her enmity once and for all, committing herself wholeheartedly to the Roman cause. So G. Lieberg, for example: ‘I due emisferi di Giove e di Giunone alia fine del poema si ricongiungono nella totalita del mondo divino, garante del glorioso futuro di Roma’ or W. Kiihn: ‘In einem strahlenden, vollen Schlussakkord endet das Gottergesprach.’