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Expressiveness in Music Performance: Empirical Approaches Across Styles and Cultures
Oxford: Oxford University Press (2014)
Abstract
This book brings together researchers from a range of disciplines that use diverse methodologies to provide new perspectives and formulate answers to questions about the meaning, means, and contextualisation of expressive performance in music.
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Similar books and articles
Expressive Performance in Contemporary Concert Music.Mark Doffman - 2014 - In Dorottya Fabian, Renee Timmers & Emery Schubert (eds.), Expressiveness in Music Performance: Empirical Approaches Across Styles and Cultures. Oxford University Press.
Philosophical Reflections on Expressive Music Performance.Mine Dogantan-Dack - 2014 - In Dorottya Fabian, Renee Timmers & Emery Schubert (eds.), Expressiveness in Music Performance: Empirical Approaches Across Styles and Cultures. Oxford University Press.
Heuristics for Expressive Performance.Helen M. Prior - 2014 - In Dorottya Fabian, Renee Timmers & Emery Schubert (eds.), Expressiveness in Music Performance: Empirical Approaches Across Styles and Cultures. Oxford University Press.
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The Notion of Expression in Music Criticism.Elena Alessandri - 2014 - In Dorottya Fabian, Renee Timmers & Emery Schubert (eds.), Expressiveness in Music Performance: Empirical Approaches Across Styles and Cultures. Oxford University Press.
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Expressiveness in Historical Perspective: Nineteenth-Century Ideals and Practices.Neal Peres Da Costa - 2014 - In Dorottya Fabian, Renee Timmers & Emery Schubert (eds.), Expressiveness in Music Performance: Empirical Approaches Across Styles and Cultures. Oxford University Press.
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Citations of this work
Enacting musical emotions. sense-making, dynamic systems, and the embodied mind.Andrea Schiavio, Dylan van der Schyff, Julian Cespedes-Guevara & Mark Reybrouck - 2017 - Phenomenology and the Cognitive Sciences 16 (5):785-809.
Movement and musical performance.Andrew Geeves & John Sutton - 2021 - In William Forde Thompson & Kirk N. Olsen (eds.), The Science and Psychology of Music: from Beethoven at the office to Beyoncé at the gym. Greenwood. pp. 269-273.
The Bioethical Discourse in the Development of a Musician-Performer.Liudmyla Kondratska, Bohdan Vodianyi, Valentyna Vodiana, Yaroslava Toporivska, Olena Spolska & Serhii Malovichko - 2022 - Postmodern Openings 13 (1 Sup1):198-215.
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