Philosophy and Culture in the African Movies

Maryland Studies: An International Journal of Philosophy and African Studies 16 (1):58-74 (2019)
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Abstract

The discussions on the relation between philosophy and movies are not quite popular because of the generally believed idea that they front different methods in their presentation of reality. While the movies present ideas in the form of appearance and actions, philosophy presents ideas through a method of reflective analysis and debate. Notwithstanding the differences in method, this paper takes the view that movies often present, in the most distinct and clearer ways, a people's culture and philosophy, even to the untrained mind. In a more specific way, this work focuses on the African movies as true instances of clear presentation and representation of African culture and philosophy. Properly presented movies of African descent, in the view of this paper, have strong footing in the African culture where African philosophy in its strictest sense takes root. The paper therefore is of the position that African philosophy, can in its purest and simplest form, be presented through African movies. Introduction The mention of philosophy and movies elicits in most people a temptation to question the relation between the two as they are.

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John Ezenwankwor
Nnamdi Azikiwe University Awka Nigeria (Alumnus)

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References found in this work

Critique of Pure Reason.I. Kant - 1787/1998 - Philosophy 59 (230):555-557.
Critique of pure reason.Immanuel Kant - 1781/1998 - In Elizabeth Schmidt Radcliffe, Richard McCarty, Fritz Allhoff & Anand Vaidya (eds.), Philosophy and Phenomenological Research. Blackwell. pp. 449-451.

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