Abstract

ABSTRACTZambrano is well-known for her critique of the ideal subject, as well as of philosophy and ‘Western’ reason. Despite this critique, notions like the individual and reason in her works has not been thoroughly analysed. Enquist Källgren argues that Zambrano’s texts contains a comprehensive theory of subjectivity. It is shown that Zambrano’s notion of subjectivity presupposes a structure that positions the human being in a modal relation to her surroundings. The human being can be conceived of as a structure of transcendent and transcendental positions in which the individual is the product of an expressive performativity. Zambrano’s theory of subjectivity can be read as an engagement with the thinking of both Aristotle and Kant, placing subjectivity in the tension between embodiment and transcendental capacities. It is concluded that Zambrano’s theory of subjectivity is in fact a modal ontology describing the condition of possibility of human existence. In addition, it is concluded that this modal ontology has important ethical implications since it presupposes the presence of an ‘other’ towards which expressive performativity is directed.