Reactionary Modernism: Technology, Culture, and Politics in Weimar and the Third Reich

Telos: Critical Theory of the Contemporary 1987 (71):187-197 (1987)
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Abstract

At least Herf put his hands on a good problem. He begins with a critique of what remains the most common approach to the explanation of Nazism, namely, an anti-modern revolt against reason, progress, and the political values of the French Revolution, a pathological consequence of Germany's peculiar social and political development in the 19th century. In one typical statement, Nazism was the ideological expression of a “crisis of modernization,” a “utopian anti-modernism,” whose essence was “an extreme revolt against the modern world and an attempt to capture a distant mythic past.” This view was popularized in the 1960s by historian like George Mosse and Fritz Stern, although it also had plenty of license in the earlier traditions of Marxist and non-Marxist social commentary going back before the war

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