Images of otherness in medieval and early modern times: exclusion, inclusion and assimilation

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Berlin: Deutscher Kunstverlag (2012)
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Abstract

From French miniature paintings to the work of Pope Pius II, this collection of essays explores the philosophical history behind medieval European art. The essays reveal how a visual vocabulary was established among French miniature painters to express the concepts of personal identity and alterity in their work and how Pope Pius II helped spread these metaphysical ideologies across the eastern Christian world. An exhaustive and articulate guide to European art in the Middle Ages, this book is essential reading for art students and enthusiasts alike.

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BD460.O74.I427 2012

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9783422070691

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Chapters

Alterity and the Palaiologan hat : dress and othernesss in the portraits of the Byzantine Emperor John VIII by Pisanello and Filarete.Joyce Kubiski
Distant knowledge : images of learned discourse in Saint Augustine's City of God.Anja Eisenbeiss
Facets of otherness and affirmation of the self.Lieselotte E. Saurma-Jeltsch
Faith, blood, and the reliability of conversion : the Directorium ad passagium faciendum (1332).Felicitas Schmieder
Inventing Europe with Aeneas Silvius Piccolomini.Nancy Bisaha
Skin and the meeting of cultures : outward and visible signs of alterity in the medieval Christian east.Lucy-Anne Hunt
The metamorphic other and the discourse of alterity in Parisian miniatures of the fourteenth century.Lieselotte E. Saurma-Jeltsch
The other's images : Christian iconoclasm and the charge of Muslim idolatry in medieval Europe.Suzanne Conklin Akbari
The turbaned and the hatted : figures of alterity in early modern Thai visual culture.Maurizio Peleggi
Tra il diavolo di Rustico e il ninferno d'Alibech" : Muslims and Jews in Boccaccio's Decameron.John Tolan

Similar books and articles

Facets of otherness and affirmation of the self.Lieselotte E. Saurma-Jeltsch - 2012 - In Anja Eisenbeiss & Lieselotte E. Saurma-Jeltsch (eds.), Images of otherness in medieval and early modern times: exclusion, inclusion and assimilation. Berlin: Deutscher Kunstverlag.
The metamorphic other and the discourse of alterity in Parisian miniatures of the fourteenth century.Lieselotte E. Saurma-Jeltsch - 2012 - In Anja Eisenbeiss & Lieselotte E. Saurma-Jeltsch (eds.), Images of otherness in medieval and early modern times: exclusion, inclusion and assimilation. Berlin: Deutscher Kunstverlag.
The other's images : Christian iconoclasm and the charge of Muslim idolatry in medieval Europe.Suzanne Conklin Akbari - 2012 - In Anja Eisenbeiss & Lieselotte E. Saurma-Jeltsch (eds.), Images of otherness in medieval and early modern times: exclusion, inclusion and assimilation. Berlin: Deutscher Kunstverlag.
Distant knowledge : images of learned discourse in Saint Augustine's City of God.Anja Eisenbeiss - 2012 - In Anja Eisenbeiss & Lieselotte E. Saurma-Jeltsch (eds.), Images of otherness in medieval and early modern times: exclusion, inclusion and assimilation. Berlin: Deutscher Kunstverlag.
Skin and the meeting of cultures : outward and visible signs of alterity in the medieval Christian east.Lucy-Anne Hunt - 2012 - In Anja Eisenbeiss & Lieselotte E. Saurma-Jeltsch (eds.), Images of otherness in medieval and early modern times: exclusion, inclusion and assimilation. Berlin: Deutscher Kunstverlag.
Inventing Europe with Aeneas Silvius Piccolomini.Nancy Bisaha - 2012 - In Anja Eisenbeiss & Lieselotte E. Saurma-Jeltsch (eds.), Images of otherness in medieval and early modern times: exclusion, inclusion and assimilation. Berlin: Deutscher Kunstverlag.
The turbaned and the hatted : figures of alterity in early modern Thai visual culture.Maurizio Peleggi - 2012 - In Anja Eisenbeiss & Lieselotte E. Saurma-Jeltsch (eds.), Images of otherness in medieval and early modern times: exclusion, inclusion and assimilation. Berlin: Deutscher Kunstverlag.
Faith, blood, and the reliability of conversion : the Directorium ad passagium faciendum (1332).Felicitas Schmieder - 2012 - In Anja Eisenbeiss & Lieselotte E. Saurma-Jeltsch (eds.), Images of otherness in medieval and early modern times: exclusion, inclusion and assimilation. Berlin: Deutscher Kunstverlag.
Tra il diavolo di Rustico e il ninferno d'Alibech" : Muslims and Jews in Boccaccio's Decameron.John Tolan - 2012 - In Anja Eisenbeiss & Lieselotte E. Saurma-Jeltsch (eds.), Images of otherness in medieval and early modern times: exclusion, inclusion and assimilation. Berlin: Deutscher Kunstverlag.
Alterity and the Palaiologan hat : dress and othernesss in the portraits of the Byzantine Emperor John VIII by Pisanello and Filarete.Joyce Kubiski - 2012 - In Anja Eisenbeiss & Lieselotte E. Saurma-Jeltsch (eds.), Images of otherness in medieval and early modern times: exclusion, inclusion and assimilation. Berlin: Deutscher Kunstverlag.
Fabula: explorations into the uses of myth in medieval Platonism.Peter Dronke - 1974 - Leiden: Brill.
Itinéraires de la raison: études de philosophie médiévale offertes à Maria Cândida Pacheco.José Francisco Meirinhos (ed.) - 2005 - Louvain-la-Neuve: Fédération internationale des instituts d'études médiévales.
How magnificent was medieval art?Beth Williamson - 2010 - In C. Stephen Jaeger (ed.), Magnificence and the sublime in Medieval aesthetics: art, architecture, literature, music. New York: Palgrave-Macmillan.
Medieval philosophy: an historical and philosophical introduction.John Marenbon - 2006 - New York: Routledge, Taylor & Francis Group.
Magnificence in miniature : the case of early medieval manuscripts.Adam S. Cohen - 2010 - In C. Stephen Jaeger (ed.), Magnificence and the sublime in Medieval aesthetics: art, architecture, literature, music. New York: Palgrave-Macmillan.

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