Abstract

In this paper, the work of Cynthia Lowenthal, Barbara Taylor, and others is adduced to support the notion that Lady Mary Wortley Montagu accomplished something remarkably progressive in her Turkish letters and her British “Spectatress” letters; part of the conclusion is that feminist work may proceed by metaphor as well as by argument and debate. Some of the innovation of her work is signaled by her use of comparison and contrast in describing her travels: she does not hesitate to juxtapose unusual items and situations. In addition, Lady Mary's work is briefly contrasted with that of Mary Astell and Mary Wollstonecraft.