Abstract

In what sense is Nature in God, according to Schelling's Essay on Human Freedom ? The answer to this question, it is argued, involves disclosing the inseparability between 'what is said' and 'how it is said' in the Freiheitsschrift , the discursive performativity on the basis of which Schelling's essay must be read. Part I introduces three 'bonds' that determine Schelling's thinking: a discursive bond , a manifestive bond and a bond of freedom . Part II shows that these three bonds intersect in the Freiheitsschrift . Disclosed at the core of this intersection is, not a bond, but a gap: that between "Nature—in God." This gap is narratively performed with the stroke of a pen—with a dash