Abstract

In this essay, I examine the genealogy of the numeral transformation of emotions from its earliest beginnings in the late nineteenth century. My main thesis is that the historical encounter between emotion and number should not be viewed solely as a particular instantiation of more general trends in the development of objectifying, quantifying, or trust-building technologies. Rather, emotion-as-number provided an alternative medium for the circulation and expression of emotions in a culture that emphasized restraint. It also empowered the experimenter to produce forbidden emotions inside the modern laboratory; it participated in the construction of a uniquely scientific - in contradistinction to a poetic or feminized - emotion; and it attenuated the tensions that arose when "sublime" emotion was animalized in a Darwinian universe. In making this argument, I wish, among other things, to challenge recent claims concerning the repression of emotion in modern public culture. Emotion, I argue, was not restraint in post-Victorian culture, but rather communicated through a new medium - the number