Abstract

It is in 1965 that, as well known, Derrida publishes in Tel Quel one of his most important writings on Antonin Artaud : La parole soufflée. In what follow, however, the deep meaning of such an essay is not immediately related to the specifically Artaudian questions it arises, but to the fact that Derrida’s most famous neologism – différance – makes between its pages (for three times) the first appearance. It is in any case important to keep in mind the distinction between its two different ed...