On the zigzagging causility model of EPR correlations and on the interpretation of quantum mechanics

Foundations of Physics 18 (9):913-938 (1988)
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Abstract

Being formalized inside the S-matrix scheme, the zigzagging causility model of EPR correlations has full Lorentz and CPT invariance. EPR correlations, proper or reversed, and Wheeler's smoky dragon metaphor are respectively pictured in spacetime or in the momentum-energy space, as V-shaped, A-shaped, or C-shaped ABC zigzags, with a summation at B over virtual states |B〉 〈B|. An exact “correspondence” exists between the Born-Jordan-Dirac “wavelike” algebra of transition amplitudes and the 1774 Laplace algebra of conditional probabilities, where the intermediate summations |B) (B| were over “real hidden states.” While the latter used conditional (or transition) probabilities (A|C) = (C|A), the former uses transition (or conditional) amplitudes 〈A|C〉 = 〈C|A〉*. The formal parrallelism breaks down at the level of interpretation because (A|C) = |〈A|C〉|2. CPT invariance implies the Fock and Watanabe principle that, in quantum mechanics, retarded (advanced) waves are used for prediction (retrodiction), an expression of which is 〈Ψ| U |Φ〉 = 〈Ψ| UΦ〉 = 〈ΦU|Φ〉, with |Φ〉 denoting a preparation, |Ψ〉 a measurement, and U the evolution operator. The transformation |Ψ〉 = |UΦ〉 or |Φ〉 = |U−1Ψ〉 exchanges the “preparation representation” and the “measurement representation” of a system and is ancillary in the formalization of the quantum chance game by the “wavelike algebra” of conditional amplitude. In 1935 EPR overlooked that a conditional amplitude 〈A|C〉 = Σ 〈A|B〉〈B|C〉 between the two distant measurements is at stake, and that only measurements actually performed do make sense. The reversibility 〈A|C〉 = 〈C|A〉* implies that causality is CPT-invariant, or arrowless, at the microlevel. Arrowed causality is a macroscopic emergence, corollary to wave retardation and probability increase. Factlike irreversibility states repression, not suppression, of “blind statistical retrodiction”—that is, of “final cause.”

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Creative evolution.Henri Bergson - 1911 - New York: Palgrave-Macmillan. Edited by Keith Ansell-Pearson, Michael Kolkman & Michael Vaughan.
Other worlds.P. C. W. Davies - 1980 - New York, N.Y., USA: Penguin Books.

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